The prodigious shoemaker by Federico García Lorca (story)

The Shoemaker's Prodigious Wife It is part of the stories that are structured as plays. It was made by Federico García Lorca. This work highlights the importance of femininity and the development of the soul.

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The Shoemaker's Prodigious Wife

It is also called Violent phrase in two acts. This play performed by Federico García Lorca, was known in 1930. It is considered a story that contains completely classic elements that are based on the importance of the spirit of women in life. We recommend the article Prose poems

In addition to this, it shows that the effect of the actions taken brings with it an allegory totally based on the development and inspiration of the goodness and joy of the soul of human beings.

plot of the story

The plot of La zapatera prodigiosa tells us about a marriage made for the convenience of a woman who is in dispute with the reality that her life presents to her and, in turn, what she really wants for herself. What brings with it a separation of the couple.

Therefore, the story seeks to represent the common feeling that people feel with what they have in their lives and what they really want to have. It is after these factors that a child appears who interacts with the shoemaker in search of obtaining explanations in relation to the departure of her husband. It should be mentioned that the man left after gossip regarding his wife.

After this situation, the prodigious shoemaker decides to move on. That is why she begins to work in a tavern. On the other hand, the woman herself must endure constant gossip from the mayor of the town where she lived.

It should be mentioned that the mayor in the story has gone through four unsuccessful marriages and despite his marital status, he has never stopped flirting with and chasing after the young shoemaker.

Likewise, in the plot of the story it is reflected that it is with the child that the shoemaker has some positive relationship within that town. It is important to mention that the main character does not have the opportunity to have children, which is why she treats the child as if he were her own, receiving mutual affection in return.

Changes for The Wonder Shoemaker

As time passes, a character arrives in town who works as a puppeteer. So he is in charge of narrating history accompanied by his puppets, in order to be paid for entertaining people.

It is important to mention that the puppeteer is really the husband of the prodigious shoemaker, who in search of answers and to know about his wife takes these measures. After a while, the man manages to understand that her wife loves him and misses her just as he misses her.

On the other hand, in the main square of the town a fight was being orchestrated between two men and the townspeople insinuated that it was caused by La zapatera prodigiosa. It is important to mention that these characters are noticeably injured. What causes people to judge the young protagonist without any analysis.

In spite of everything, the shoemaker's husband, who is still representing the puppeteer, understands that he really loves his wife. So he asks her to forgive him for his wrongdoing, which leads them to restore their marriage. Don't stop reading the article The student from Salamanca

Characters

Within La zapatera prodigiosa there is a group of essential characters that are the following:

shoemaker

She is the protagonist of the story and she is approximately eighteen years old. She should be mentioned that the initial depiction of her is her in a green colored dress, while in the second act she wears an extravagant red dress.

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On many occasions she can be considered hateful, but these actions are motivated by her state of mind away from happiness. She always seeks to impose herself on what she doesn't like.

It should be noted that at the beginning of the play, due to the conditions for which she got married, she treats her husband with great detachment. However, this changes when her husband decides to get away from her. Allowing The Prodigious Shoemaker to understand that she really loves her husband.

Zapatero

This man is fifty-three years old. It is important to note that despite his age, he did not have a wife until he married his wife, the shoemaker.

Among the features that define him is that he does not look favorably on social scandals. Therefore, he has an extremely peaceful personality, which leads to highlight that he treats his wife with affection.

However, he is a person who gets carried away by the gossip of others, this is what leads them to take the actions they take. On the other hand, it should be mentioned that he is a descendant of a family of groomsmen, it is after this that it should be perceived that he comes from an outstanding family.

He has a good fortune, which leads him to marry after advice from outsiders in his life. At first he thought that he did not love the woman he married, however as time passes and he gets to know her a little more he realizes that he does love her.

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Mayor

The mayor stands out negatively for having macho traits and totally rude attitudes. They tend to express themselves with ridicule and sarcasm. He always wears a dark blue costume, consisting of a cape and a wand that is used to wield power.

On the other hand, it is important to mention that he is an unstable character since he has been married four times. In addition to this, despite the civil conditions that the shoemaker finds herself in, she does not stop seeking to woo her with unpleasant comments.

The child

He is a character full of great sweetness and sincerity. He stands out because most of the time he is next to the shoemaker in his home. In addition to that, he loves her very much and likes to share snacks and games with her.

It should be noted that the child is the only character capable of getting along with the shoemaker. Since she treats him like a son and in turn he treats her like her mother. It should also be noted that it was he who discovered that the shoemaker had returned in search of knowing a little more about your wife, through a puppeteer costume.

The neighbors

This is a group of characters that appear differently in the work in search of defaming the shoemaker. They tend to criticize every decision the main character makes. Similarly, they come to blame her for the actions taken by the shoemaker's husband that lead him to abandon her.

In turn, they blame her for the serious fight between two boys. It is important to mention that the main character always argues with these women, since she is tired of the way they defame her. These are the neighbor red, black, yellow, green and purple.

Other characters

Of the less prominent characters are Blessed One and Two, the sacristan, the author, the boy with the sash and the one with the hat, and Don Mirlo.

Representations

The prodigious shoemaker was premiered for the first time at the facilities of the Spanish Theater located in the Spanish capital Madrid, on December 24, 1930. In addition to this, it should be noted that it was directed by Cipriano Rivas Cherif.

On the other hand, in their first presentation those who represented the characters were the actress Margarita Xirgu who was the shoemaker, Alejandro Maximino as the shoemaker, Matilde Fernández as the child, José Cañizares as the mayor, Fernando Porredón Don Mirlo, Fernando Venegas as the waiter, Julia Pachecho, Mimí Muñoz and Pacuala Mesa acted as the unpleasant neighbors of the shoemaker.

On the other hand, it was in the 1935s that La zapatera prodigiosa was staged again in Spain. Among the most outstanding is the one made by Lola Membrives for XNUMX. It was captured on the stage of the Teatro Coliseum also in Madrid. I stand out for having actors like Helena Cortesina, Magda Rotger, Alejandro Maximino and Cándida Losada.

In Franco's Spain, La zapatera prodigiosa was re-enacted, the most outstanding of the representations of this period of lack of freedom in Spanish territory was the one that was captured on the stage of the Eslava Theater in the capital of Madrid.

On the other hand, it was for 1965, through the director Alfredo Mañas, that history could be seen at the Marquina Theater, also located in Madrid. Among the representative actors were Amparo Soler Leal and Guillermo Marín.

Twenty years later, it was staged again in the aforementioned theater. This time directed by Fernando Delgado and Laura García Lorca who stands out for her talent and for being the niece of the author of the work.

Inspiration

It is believed that the author was inspired by Agustina González López of Granada origin. Who was called La zapatera. It should be mentioned that this historical figure also served as inspiration for him in La casa de Bernarda Alba. Since this woman used that name when capturing her signature on her works.

https://www.youtube.com/watch?v=970RodMFcIU


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