A lokacin kiftawa cikakke ne na salon gyare-gyaren da babban Walter Murch ya haɓaka a cikin ayyukan masu shirya fina-finai na Francis Ford Coppola, George Lucas, da Anthony Minghella. Bari mu gano abinda ke cikinsa tare.
Littafin da ya kasance Littafi Mai-Tsarki na gyaran fim ga matasa masu ƙirƙira da yawa.
Walter Murch, tsara tunani da ƙirƙira
A lokacin kiftawa Ana iya la'akari da shi a matsayin balagagge 'ya'yan nazari na dogon aiki a fagen tace fina-finai. Walter Murch, ɗan shahararren ɗan wasan kwaikwayo na zahiri, ya kuma sanya hotuna ginshiƙan kasancewarsa. Amma Hotunan da ke tare da sauti za su kasance waɗanda za su ba shi sha'awa: tun da wuri, ɗaruruwan rikodin sauti na musamman, wanda aka yi rikodin kuma sake haɗuwa bisa ga sha'awarsa, sun ƙawata ɗakinsa.
Murch ba da jimawa ba zai ɗauki wannan yunƙurin na halitta don sake tsara kayan fasaha masu tamani zuwa fagen ƙwararru, na farko a cikin kantin sayar da littattafai sannan kuma a rediyo, inda zai kasance wani ɓangare na alhakin yada babban kidan jama'a a harabar kwalejin Amurka. Amma mafi mahimmancin abin da ya faru a lokacin zamansa na jami'a shine farkon tuntuɓar sa tare da wasu masu shirya fina-finai na New Wave na Amurka: George Lucas, John Milius da, fiye da duka, Francis Ford Coppola.
Tare da Coppola, Murch zai haɓaka aikin da ya fi tunawa, duka a cikin kashi uku na El Padrinokamar yadda a cikin A Conversation y Apocalypse Yanzu. Wannan fim na ƙarshe ya sanya shi cikin tarihin har abada na al'adar cinema, kuma ya ba shi lambar yabo ta farko don Mafi kyawun Gyaran Sauti. Fiye da shekaru goma sha biyar bayan haka, haɗin gwiwa tare da Anthony Minghella a Ingilishi Mai Hakuri Zan ba shi Oscar biyu na tarihi, don Mafi kyawun Gyarawa da Mafi kyawun Gyaran Sauti.
Wannan fim ɗin na ƙarshe kuma zai ba shi damar zama editan wanda ya wakilci sauyin sauyi daga gyaran analog na gargajiya zuwa editan dijital, da wuya a yi aiki da kallo tare da rashin amincewa a lokacin. Yin amfani da shi cikin nasara a cikin fim ɗin, saboda buƙatar Murch don gyara nesa daga gida yayin aikin, ya nuna ƙarshen wani zamani da farkon wani.
A lokacin kiftawa, cikakku da zuciya
Murch ya buga A lokacin kiftawa shekara daya kacal kafin (1995) Oscar na dijital mai tarihi na majinyatan Ingilishi. Ɗaya daga cikin manyan abubuwan da ya yi tunani ya ta'allaka ne a cikin sabuwar sararin samaniyar aikin da aka buɗe ta hanyar fasahar wallafe-wallafen dijital.
Murch yana da sauri don ƙaddamar da fa'idodin wannan sabon saitin, dangane da ƙananan farashi, ƙananan kayan aiki, sauƙin samun dama ga kayan aiki, sauƙaƙe tsarin haɗawa tsakanin tasirin lantarki na wucin gadi da sauti na ainihi, ba tare da ambaton sauri ba.
Amma kuma malamin gyara yana iya nuna damuwarsa game da sabon hali da aka haifar a cikin ƙwararru ta hanyar kayan aiki mai mahimmanci. Idan kayan da wanda ke aiki da shi kusan ba ya ƙarewa kuma ana biyan kurakurai da arha tare da sabbin yunƙurin, akwai ƙarancin sadaukarwa don tsara tsarin montage, wanda har ma zai iya haifar da fim mara kyau, koda kuwa an bayyana shi ta hanyar mafi girman alatu na gaba na duniya. .
A cikin wannan tunanin kawai ya bayyana a fili abin da ya kasance cibiyar aikin Murch a kusan shekaru hamsin na aiki. Ga New Yorker, ba batu ba ne na bin tsattsauran ra'ayi na tallafin labari da aka ɗora a kan gaɓoɓin gani ko ci gaba, amma na farko gano motsin zuciyar da ake ƙoƙarin haifarwa ta hanyar nasarar harbi biyu a jere.
Murch ko da yaushe yana aiki da ƙafafunsa, yana kwatanta aikinsa da na daraktocin kiɗa, masu dafa abinci mai sauri ko likitocin neurosurgeons. Tsarin edita yana buƙatar wannan matsayi. Amma don rubuta ƙirƙira, kuna buƙatar yin shi a kwance.
Murch ya san cewa mai kallo yana ɗaukar saƙonnin gyara ko da a kan matakin sume ne da visceral. Sabili da haka, aikin taro yana da ɓangaren jagorar tunani don mai karɓa, maimakon kawai na fasaha. Zare ne na ma'anar da ba na magana ba maimakon sassauƙa ko žasa da rarrabuwar hotuna.
Ayyukan don cimma jagorar aiki a wannan ma'ana na iya zama mai wahala. Mafi kyawun misalin Murch zai iya samu shine aikin nasa akan Apocalypse Yanzu, babban ƙoƙarin gyara wanda ya haɗa da sarrafa kusan sa'o'i 230 na fim don cimma mintuna 153 na ƙarshe. Michelangelo ya taɓa yin jayayya cewa sassaƙa mutum-mutumi shine cire shingen duk wani abu da ba mutum-mutumi ba. Babban editan yana nufin hoto iri ɗaya, na cire ɓangarorin da ba su da kyau don barin fim ɗin kawai.
A ƙarshe, abin da ke tabbatar da nasarar editan madaidaicin shine ikonsa na ɗaukar yanayin ƙiftawar ido, don haka take a hannu. Lokacin da tsarin tunaninmu ya bambanta, daga wannan wuri zuwa wani, daga wannan ra'ayi zuwa wani, akwai fassarori a cikin tsarin tunaninmu.
Gyaran fim yana kwaikwayi kuma yana tare da wannan tsari, yana sa mai kallo a hankali ya bi labari daidai yadda masu shirya fim suke son su bi shi. Duk ta hanyar sihirin montage masu makamai masu kyau.
Wannan ba shine kawai littafin da Murch zai fallasa hikimarsa game da gyaran fim ba. Shekaru bakwai bayan haka, Michael Ondaatje, marubucin ainihin labari wanda Majinjin Ingilishi ya dogara akansa, ya haɓaka jerin tattaunawa tare da Murch inda ya shiga cikin fasaharsa ta musamman bisa ga kwarewar da aka samu tun lokacin harbi da Minghella. Tattaunawar (2002) kuma dole ne a karanta ga duk mai sha'awar duniyar manyan fina-finai.
A cikin wannan kyakkyawan bidiyo an bayyana mu ta hanyar daɗaɗɗa don fahimtar salon Walter Murch, shiga cikin hira, labarai da gutsuttsuran fina-finansa.
Ya zuwa yanzu labarinmu a kan A lokacin kiftawa da Walter Murch. Idan kun ji daɗin wannan rubutu, kuna iya sha'awar wannan sauran rubuce-rubucen akan gidan yanar gizon mu da aka sadaukar don Sunan fure, wani labari mai sarkakiya wanda kuma ya shiga wani tsari mai matukar wahala na daidaitawa da silima. Bi hanyar haɗi!