In the literature there is a so-called prose poems that they are a genre that includes part of the writing fused with poetry. For lovers of this type of paradisiacal writing, we invite you to enjoy this article.
Prose Poems: Introduction
The prose poems, is a style of combined writing, which is not a story, nor a poetry in the usual way, which confuses its description. However, it is considerate, which establishes a unity.
The prose poem in a Homeric and ephemeral genre of contemporary ideas. This expression is the verification of a literary form as a series of rules that govern the inflection of words, in a capable and proper value, with respect to other ideas of similar practical and authentically recognizable classification.
It is likely that the prose poem is the only form of new literary genre of general value generated in contemporary times, which means, after or since the neoclassical Enlightenment.
There is an evident and charming link between prose poem, fragment and essay by virtue, firstly, it is to be known, of historical chance and later of literary interest in a certain aspect. As a second aspect, by virtue of the conditions for the novelty such as the laconicism that in some way disturbs all of them. We invite you to continue enjoying reading by reading another interesting article called Morphological Analysis
It should be emphasized that the contemporary rebellious sense beautifully shown by the literary genres, concerns as a whole and that distinguishes these three genres and the concepts indicated, and especially artistically prose poem and fragment. The prose poem is precious as an aspiration to the synopsis.
There are primary sources of confusion that appear to be:
- The typification of the genre with the manner of the free stanza
- The typification of the genre with the old-fashioned poetic genre.
- The typification of the genre with the translation or transcription of literary works referring to folklore or ancient, which before the eyes of the reader, intervene the commemorative and colorful force of the lyrical expression.
- The typification of the genre with the return to the arguments of everyday life in epic to its vocabulary
From
The prose poem arises in idyllic prose. The epic prose, continues to be in prose, an additional element of the literary or a seal of its style, without therefore containing a poem. You might be interested in reading I sing to Bolivar
Romanticism poetry and the Ossian cycle
In the 1800s, in complete romanticism, a continuous preference of literary oriented to the aesthetics of the absolute, aesthetics of the exalted from evident elements, and that its properties intervene in abundance, of the eternal or infinite can be appreciated. .
This style reappears to revive interest in poetry, as more similar to these elements, in open opposition to the century of knowledge that qualified it as a true driver. However, the form of the poems becomes freer, the decrease of the verse to the rules of the beat and the rhythm collides with certain impulses.
François-René, Viscount Chateaubriand, French diplomat, politician and writer, founder of romanticism in French literature, chooses to capture an epic in poetic prose. The martyrs of 1809, before taking risks in the still severe form of poetry.
The suspected prose translation by James Macpherson, known by his heteronym, which means false name adopted by an author, in the Celtic bard Ossián, Scottish poet of Pre-romanticism and Fingal's epic, undertaken in the year 1761 and collected one year then with the link of new verses in the Works of Ossian, it will be definitive for a first formal artistic admission regarding this genre.
It refers to a literary work, enormously notorious throughout the Western world of the times, parts of which will be translated from the German language by Goethe in Werther, being the favorite work of Napoleon or Walter Scott the same.
The open perspective of the prose poem does not delay being put into practice, however, it continues to justify the translation of foreign or archaic poems, as occurs with Malagasy Songs by Évariste Parny (Chansons Madécasses of the year 1787, or La Guzla de Mérimée, from the year 1827 in French.
Progressively, the genre is specified and obtained: Maurice de Guérin with The Centaur, a work written in 1837 and then published in 1840, as well as La bacchante, which was published in 1862; aware in the year 1838 Xavier Forneret, publishes a compilation called «Vapeurs, neither vers nor prose», which translates «Vapores, neither verse nor prose», and later Jules Lefèvre-Deumier with his work of the walker «Livre du promeneur», of the year 1854.
Aloysius Bertrand
Louis Jacques Napoléon Bertrand, artistically known as Aloysius Bertrand, was a French poet of Romanticism, and with this public argument in 1842, Gaspar de la noche.
It is about the lyrical quality of his writing and the aesthetic awareness that his works represented showing illusions in the style of Rembrandt and Callot, the last literary work of Aloysius Bertrand, who died the year before of a recurrence of tuberculosis in a hospital center, in times when only the degraded died in hospital, and qualified the founding text of the prose poem in France.
The poet Aloysius Bertrand uses, employs the letter of the Gothic evocation to yearn for dreamy or illusory events in verbiage, ennobling the emotions of the narrative. This writer is described as an authentic founder of the genre, however, certain nineteenth-century experts give distinction to the French-born poet Maurice de Guérin,
Baudelaire and gender confirmation
Charles Pierre Baudelaire, poet, essayist, art judge and interpreter of French origin, once he lies in omission, is the one who once again reveals Bertrand's work, a character that motivates him for his repertoire of "Little Poems in Prose", famous for the subtitle of "Spleen in Paris", name with which the new genre is crystallized.
In the year 1862, he sent a letter to his publisher Arsène Houssaye, and which also works as an introduction to the publication after his death in 1869, the poet Baudelaire, exposes how prose is more competent when contemporary sentimentality is reproduced , especially in the city, which becomes the favorite themes of the prose poem:
"I have a confession to make. And it was when I was leafing through, for the twentieth time at least, the famous Gaspar de la noche by Aloysius Bertrand (a book known to you, me and some friends, wouldn't you have the right to be called famous?) that came to me the idea to try something analogous, applying to the description of modern life, or rather, of an abstract modern life, the procedure that he applied to the painting of ancient life, so strangely picturesque«.
After presenting his work "Small poems in prose", the summaries in this genre increased. Stéphane Mallarmé, French poet and critic, supports as well as Illuminations, which is a collection of prose poems written by French poet Arthur Rimbaud; Édouard Joachim Corbière, known as Tristan Corbière; or also Charles Cros was a French physicist, poet and inventor. Dropping the story that this genre built a space for incidence of the free poem.
The prose poem is a complicated genre to be able to determine, which is often shown as a short narrative, however, it differs in the act, by its insinuating statement in figures and harmonies, the transfer of energetic feelings, and the disappearance of a very specific character.
However, there is constantly the possibility of ambiguous writing, occurring who supposes that Rimbaud's "A Station in Hell" is more of an allegation than a poem. In this framework, at the end of the second absolutism, the Count of Lautréamont brought to light in 1869 "Cantos de Maldoror", where the true prose poems are combined, which all form an element, fractions of the work, details dreams and obfuscations, consolidated by the character of Maldoror, a series of six poetic songs, the work of the writer Isidore Ducasse.
Features
It is important to make the reader aware of the characteristics that surround this literary genre, namely:
- The same aspects that appear in the poem can be examined, such as: epic verbose, poetic behavior, object and argument.
- It does not contain formal aspects, rhythm and copla.
- It differs from the poem, because it is expressed in prose and from the fable or the narrative, because its objective is not especially to relate events, but to convey feelings, emotions and shocks.