Tarihin Juan José Arreola, Mawallafin Mexica kuma Mawallafi

Ɗaya daga cikin shahararrun kuma sanannun marubutan Mexican shine Juan Jose Arreola, wanda ya kasance fitaccen mutum mai wasiƙa, wanda aka sani a duk faɗin duniya, ya sami kyautuka masu yawa tare da girma da yawa.

Juan Jose Arreola

Juan José Arreola marubuci ne kuma editan Mexican, ayyukansa sun yi tasiri ga al'umma, wanda shine dalilin da ya sa har yanzu ana magana game da aikinsa a yau. Ga abin da ake nema a yau inda aka haifi Juan José Arreola, da halayen rayuwarsa ta haka ganowa Menene Juan José Arreola yake yi?, domin ku koyi kowane muhimmin aiki da sana’o’in da wannan babban marubuci ya yi amfani da su.

Ya kuma samu kyautuka da dama, ta haka ya samu daukaka a duniyar adabi, yana da jumlolin da ake ganin sun shahara, shi ya sa za a yi bayanin batutuwa da tambayoyi daban-daban a kasa, kamar su. wanda shi ne Juan José Arreola, yana bayyana muhimman lokuta na rayuwarsa:

Tarihin Juan Jose Arreola

• An haifi Juan José Arreola a ranar 21 ga Satumba a shekara ta 1918
• An haife shi a Mexico, a cikin Jalisco, a Ciudad Guzmán, wanda shine tsohon Zapotlán el Grande.
• Iyalin Arreola sun ƙunshi iyayensa da ƴan uwansa goma sha uku.
• Inda mahaifinsa yake Felipe Arreola, mahaifiyarsa ita ce Victoria Zúñiga kuma a cikin yara goma sha huɗu Juan José Arreola shine na hudu.
• Ta fuskar tattalin arziki, rayuwarsa ta kasance mai sarƙaƙƙiya.

Wane irin ilimi Juan José Arreola ya samu?

• An fara karatun tun yana ɗan shekara uku.
• An fara shi a Colegio de San Francisco, a cikin Jihar Jalisco.
• Iliminsa bai yi makaranta ba
• Bai sami ilimi ba kamar yadda yara da matasa suka saba samu.
• Ilimin da ya samu ya kasance a hannun malaman zuhudu na Faransa
• A wancan lokacin ne ya fara karkata zuwa ga adabi.
• An san cewa ya yi ƙuruciyarsa a ƙarƙashin gogewar juyin juya halin Cristero.
• Ya zo ne ta hanyar jajircewarsa, bincike, tsananin shakuwar da yake da shi ga karatun da ba ya gajiyawa da kuma son ingantawa.
• Duk wannan ya sa shi kansa ya yi al'ada a wurare daban-daban
• Da kuma horarwa a matsayin fitaccen marubuci kuma mai daraja.
• Iyalinsa sun kasance masu matsakaicin matsayi amma saboda wasu dalilai masu karfi ya kasa sadaukar da kansa ga karatu kamar yadda yake so.

Farawa a yankin aiki

• A cikin shekara ta 1930 shine lokacin da ya shiga duniyar aiki
• Ya fara aiki tun yana matashi don samun abin da yake bukata
• Ko da yake sha'awarsa ita ce nazarin wasan kwaikwayo, ya ga ba zai yiwu ba a kowane lokaci, yanayin aiki yana da wuyar gaske
• Ayyukansa shine ya yi matsayin mai ɗaure littattafai.
• Domin wannan aikin ina yin shi tare da wani ɗan’uwa na nesa mai suna José María Silva
• An gudanar da aikinsa a gidan buga littattafai na Chepo Gutiérrez.
• Ta wannan hanyar ne yake da farko da hulɗa da duniyar edita.
• Domin a wannan lokacin Juan José Arreola ya fahimci aikin injin buga littattafai
• Hakanan yana haɓaka aikin ƙarshe wanda shine ɗaure mai kyau.
• Lokacin yana dan shekara 15, ya yi karatun fitattun marubuta.
• Wasu da suka yi fice a cikin karatunsa sun kasance tare da Papini wanda marubuci dan Italiya ne, Baudelaire wanda mawaƙin Faransa ne, mawallafi, mai suka da fassara.
• Ya kuma yi karatu daga Schwob wanda marubuci ne na kasidu da gajerun labarai, mai fassara Bayahude na Faransa kuma mai sukar adabi.
• Tare da Whitman wanda mawaƙin Ba'amurke ne, ɗan jarida, marubuci, ɗan adam, kuma ma'aikacin jinya.

tafiye-tafiyen karatu

• A shekara ta 1937 dole ne ya yi tafiya zuwa birnin Mexico
• Yana yin haka don ci gaba da karatunsa a fannin fasaha
• Yana da shekara goma sha takwas lokacin da ya fara karatu a Fine Arts Theater School.
• Azuzuwan da na halarta sun kasance tare da Fernando Wagner.
• Sakamakon wadannan nazarce-nazarce ya sa aka gabatar masa da makudan kudade da ya gudanar da ayyuka da sana’o’i daban-daban da ya yi.
• Daga cikin ayyukan da na yi akwai zama dan wasa a wasan kwaikwayo na sabulun rediyo na XEQ.
• Saboda waɗannan ayyukan ne aka haifi sha'awar wasan kwaikwayo.
• A 1939 ya zama actor.
• Don wannan ofishin yana da goyon bayan Xavier Villaurrutia na Mexico wanda ya kasance marubucin wakoki, marubucin wasan kwaikwayo da kuma mai sukar wallafe-wallafe.
• Daga baya ya yi ritaya daga Makarantar Theatrical of Fine Arts.
• A lokacin ne ya fara aiki tare da Rodolfo Usigli wanda ya kasance marubuci, mawaƙi, marubucin wasan kwaikwayo da kuma jami'in diflomasiyyar Mexico.
• Ya kasance a cikin kamfanin Teatro de Medianoche.
• A wannan lokacin yana da balaguron takaici a Celaya
• Sai kuma a ranar 08 ga Agusta, 1940, ya koma Zaplotán
• Ya yi sana'o'i marasa adadi tun yana dan shekara 12.
• Shi mai yin burodi ne, ɗan kasuwa mai balaguro, magatakarda, mai ɗaure littattafai, mawallafin buga littattafai, ga kaɗan.
• Yayin da yake yin waɗannan ayyukan, ya rubuta ayoyinsa na farko da labarunsa.

Yada wasan farko

• Ya dawo tare da buga aikinsa na farko, wanda aka yi wa lakabi da "Mafarkin Kirsimeti"
• An yi shi a cikin mujallar El Vigía.
• Godiya ga wannan labari na yi nasarar samun tasiri daga Leonidas Andreyev wanda marubucin Rasha ne wanda ke da tarihin ba da labari da wasan kwaikwayo.
• Ya yi tafiye-tafiye da yawa zuwa birnin Mexico.
• A lokacin yada aikin nasa ya yi fama da cunkoson abinci da ciwon hanji.
• A dalilin haka ne ya samu rugujewar jijiyar wuya wanda ya sha fama da sauran rayuwarsa.
• An san cewa ya kasance memba na kamfanin wasan kwaikwayo
• Ya fara a cikin duniyar adabi lokacin da ya kafa, tare da abokin aikinsa Arturo Rivas, Mujallar Eos a 1943.
• Ya kuma koyar a makarantar sakandare.
• Ya gudanar da duk waɗannan sana'o'in ba tare da tsayawa ya rubuta ba.
• A shekara ta 1943, ya rubuta rubutunsa na farko da aka gane, wanda ake kira "Ya yi kyau yayin da yake raye."
• Hakanan a cikin 1943 ya koma Guadalajara.
• Godiya ga shawarar da ya samu daga dan uwansa Enrique, ya je yin hira da Jorge Dipp, wanda shi ne darektan jaridar El Occidental.

Sabuwar dama ta gabatar da kanta

• Ta hanyar tattaunawar an sami damar haɗin kai ta hanyar rubuta labarai
• Kuma a sakamakon haka ya sami damar zama shugaban yada labarai har zuwa 1945.
• Ina ba da gudummawa ga buga mujallar Pan de Guadalajara
• Ya yi haka tare da marubucin Mexican Juan Rulfo wanda ya kasance marubucin allo kuma mai daukar hoto.
• Har ila yau, ina aiki tare da Antonio Alatorre Vergara wanda marubuci ne, masanin ilimin falsafa, marubuci, mai fassara da kuma mai sukar adabi.
• A cikin 1945, ya nemi yin hira da Louis Jouvet, wanda ya kasance sanannen actor, mai tsara zane da kuma darektan asalin Faransanci.
• Ta hanyar wannan tuntuɓar, yana ba ku guraben karatu daga Cibiyar Faransanci ta Latin Amurka.
• Godiya ga wannan, ya sami damar tafiya zuwa Paris tare da actor Louis Jouvet.
• Daga baya, tare da masanin ilimin falsafa Antonio Alatorre, a cikin 1945, ya kafa Revista Pan.
• Wannan ya dade kadan, amma ya dade sosai don a san rubutunsa.
• Da shigewar lokaci, horon da ya yi na marubuci tare da haɗin gwiwar fasahar wasan kwaikwayo ya ba shi damar zama sananne a fili.
• Ƙaunar cinema da wasan kwaikwayo ta yi yawa kamar rubutu.
• A duk lokacin da ya samu dama ya kan sha'awar kallon fina-finai.

Tafiya zuwa Paris kuma komawa Mexico

• Yayin da yake wannan tafiya ya sami damar halartar nau'ikan wasan kwaikwayo daban-daban a birnin Paris na Faransa
• Lokacin da yakin ya ƙare, wannan ya ba shi damar samun tallafin karatu.
• A cikin tafiya ya sadu da sanannen Jean-Louis Barrault wanda ya kasance dan asalin Faransa kuma ya kasance sanannen dan wasan kwaikwayo, mime da darekta.
• Ya kuma sadu da Pierre Renoir na Faransa wanda ya kasance dan wasan kwaikwayo da kuma wasan kwaikwayo.
• Haɗin wasan kwaikwayo yana ƙarfafa lokacin, yana ɗan shekara 18, ya yi tafiya zuwa Mexico City don yin karatu a Escuela Teatral de Bellas Artes a ƙarƙashin jagorancin Fernando Wagner.
• A lokacin ne ya sadu da malaman da suka yi alamar farkonsa, Xavier Villaurrutia da Rodolfo Usigli.
• A cikin 1945 ya yi tafiya zuwa Paris tare da goyon bayan Louis Jouvet, manufar ita ce sadaukar da kansa don nazarin fasahar ban mamaki.
• An gabatar da shi ga fasahar wasan kwaikwayo, yana yin wasan kwaikwayo daban-daban a ƙarƙashin jagorancin Jean-Louis Barrault na dindindin.
• Rayuwarsa tana ɗaukar kwatance tana faɗaɗawa.
• Ɗauki mataki mafi girma na wayewar siyasa.
• Duk da haka, a lokacin Juan José Arreola ya sha wahala sosai.
• Yanayin Faransa ma ya sha wahala domin ba a iya jurewa a wancan zamani.
• A sakamakon wannan duka, an sami karuwar rashin jin daɗi na gyambon da ke fama da shi.
• Saboda waɗannan matsalolin, ya yanke shawarar komawa birnin Mexico.

 dawo cikin fassarar

• A shekara ta 1946 ya sake dawowa a cikin aikin aiki
• Ina amfani da matsayin edita, mai fassara, mai karantawa da kuma marubucin flaps
• Ina aiki a Sashen Fasaha na Asusun Al'adun Tattalin Arziki.
• Da zarar ya isa, ya fara aiki da Asusun Edita na Al'adun Tattalin Arziki kuma yana aiwatar da shi saboda shawarar da Antonio Alatorre ya bayar.
• A can ya yi aiki gyara hujjõji na latsa, asali da kuma fassara.
• A ƙarshe ya zama wani ɓangare na kundin marubutan mawallafa, tare da littafinsa "Varia Invención" a cikin 1949.
• Don wannan aikin ya sami shawara daga Antonio Alatorre Vergara, wanda ya kasance marubuci, mai fassara, masanin ilimin falsafa da kuma mai sukar adabi.
• Da wannan aikin shi ne ke kula da fassarar ayyukan "Easter Island" na Alfred Mátraux a 1950.
• Na kuma shiga cikin fassarar "Cinema: tarihinta da fasaha" na George Sadoul a cikin 1950. "Theatrical art" na Gastón Baty and Chavance a 1951, da kuma "Aikin addini daga karni na 1952 zuwa karni na XNUMX na Emile Male XNUMX.
• Daga baya ya sami damar samun guraben karatu a Colegio de México, bayan sulhun Alfonso Reyes na Mexico wanda mawaƙi ne, marubuci, ɗan diflomasiyya, mai ba da labari kuma mai tunani.

 Yabo da daraja a cikin ayyukansa

• Sannan ya sadu da dan kasar Mexico Daniel Cosío Villegas wanda aka san shi da zama masanin tarihi, mawallafi, masanin zamantakewa, masanin tattalin arziki da kuma masanin kimiyyar siyasa.
• A cikin 1949, godiya ga wannan masanin tarihi, ya sami taimako da damar da za a fara buga littafinsa na labaru, wanda ke da lakabi "Varia Invención"
• Ya sami bugun littafinsa ta tarin Tezontle
• An tsara murfin littafinsa da ɗan wasan filastik ɗan ƙasar Mexico Juan Soriano.
• Har ila yau, ya ba da damar ta hanyar gasa don ba da sunan tarin mawallafin, duk lokacin da aka kammala aikin littafin.
• Tare da wannan gasa Juan José Arreola shine wanda ya yi nasara, bayan ya ba da shawarar sunan "Breviarios".
• Sannan ya sami tallafin karatu a 1950 daga Gidauniyar Rockefeller.
• A cikin 1952, ya buga aikinsa na ban mamaki "Confabulario", na gidan buga littattafai na Joaquín Mortiz.
• Tare da wannan aikin yana karɓar babban yabo na gwaninta ko Magnum opus.
• Wannan aikin "Confabulario" kuma ya ba shi damar lashe Jalisco Prize for Literature da kuma Playwright Festival Prize na National Institute of Fine Arts.
• Daya daga cikin wadannan kyaututtukan da aka samu ita ce lambar yabo ta Xavier Villaurrutia, wacce ita ce kyautar da ake ba kowace shekara ga mafi kyawun littafin da aka buga a kasar.
• A cikin 50s, ya kafa tarin Los Presentes.
• A ciki, ya gabatar da mai karatu da ayyukan marubuta, na Mexico da na sauran ƙasashen Latin Amurka.
• Daga baya ya kafa kamfani na gaba wanda aka sadaukar don al'ada, tare da Cuadernos del Unicornio.
• Sa'an nan kuma an tsara shi da mujallar Mester, wanda ke tafiya da wata hanya
• Abin baƙin ciki, bai taɓa cika burinsa na zama ƙwararren marubucin wasan kwaikwayo ba.
• Ayyukansa na ban al'ajabi sun kasance kaɗan an ɗauke su zuwa duniyar wasan kwaikwayo.

Haɓakawa cikin nasarori akan lokaci

• A 1956, ya sami wani tsari tare da yiwuwar jagorancin wani gidan wasan kwaikwayo kamfanin.
• Ta hanyar yarda da wannan yuwuwar, ya kuma kasance ƙarƙashin kulawar yada al'adu na UNAM.
• Bayan samun wannan nasara sai ya sanya mata suna "Waka da babbar murya"
• Ita ce ke da alhakin wakilci da farko ayyukan fitattun García Lorca, Ionesco da Paz, musamman.
• Karɓi gayyata daga sanannen injiniyan ɗan ƙasar Mexico, Nabor Carrillo Flores wanda shi ne shugaban hukumar UNAM (Jami'ar mai cin gashin kanta ta ƙasa ta Mexico)
• Saboda gayyatar, ya sami buƙatar yin amfani da matsayin La Casa del Lago.
• Don haka lokacin da na yarda an kaddamar da shi a ranar 15 ga Satumba a 1959.
• Ya gabatar da manufar cimma burin zama babbar cibiyar al'adu.
• Manufar ita ce a gudanar da karatun wakoki, kuma a yi waka a matsayin kungiyoyin mawaka.
• Wani burinsa shi ne samun ayyukan fim.
• Yana bayar da ilimi musamman ga matasa daliban jami'a da kuma ga duk mai sha'awar.
• Sai dai ya yi amfani da mukamin ne kawai har zuwa lokacin da shugaban hukumar ya rasu, tunda aka kore shi daga hanya da ofishinsa.
• Bayan haka, ya sadaukar da kansa wajen koyarwa a makarantar wasan kwaikwayo ta INBA.
• Ya kuma yi aikin koyarwa a Cibiyar Marubuta ta Mexiko.
• Wani muhimmin batu shi ne ya sami gayyatar halartar cibiyar al'adu ta Casa de las Américas a Cuba.
• Ana yi masa kallon malami saboda gogewa da iliminsa.
• Har ila yau, ya sami kwarewa mai dadi na shiga filin talabijin, wanda ya shafi babban yanki na sadarwa.
• A lokacin aikinsa, ya sami kyaututtuka masu mahimmanci, cancanta da kuma fitattun kyaututtuka waɗanda suka yaba wa marubucin adabin da yake wakilta.
• Waɗannan lambobin yabo ba za su taɓa gushewa suna wakilta ba saboda gadonsu zai ci gaba da rayuwa a cikin adabi.

Fara wani yanki na aiki, aikin karatun ku

• A cikin 1964, ya karɓi matsayin farfesa a Jami'ar National Autonomous University of Mexico.
• A lokaci guda, ya jagoranci tarin "The Unicorn".
• Hakazalika, ya ci gaba da aikinsa tare da buga edition na "Bestiario" a 1972.
• A cikin 1958, tare da wannan bugu, nasarar ta cika maye gurbin da aka fara da "Punta de Plata".
• Tun daga wannan lokaci sunansa ya fi shahara
• Godiya ga wannan, a cikin 1979 ya sami nasarar karrama shi da babbar lambar yabo ta ƙasa don wasiƙa a birnin Mexico.
• A 1992 ya sami lambar yabo ta Juan Rulfo.
• Haka kuma ya ci gaba da samun kyaututtuka daban-daban kamar Alfonso Reyes da lambar yabo ta Ramón López Velarde.
• A cikin 1992, ya yi aikin mai sharhi na cibiyar sadarwar sadarwa ta Mexico Televisa, inda ya sake samun babban karbuwa.
• Ya kasance mai sharhi ga wasannin Olympics na Barcelona, ​​wannan lokacin yana daya daga cikin manyan damar da Juan José Arreola ya samu
• Lokacin da ya kai shekaru 80, ya sami babban girma daga Majalisar Garin Guadalajara inda ya kira Juan José Arreola a matsayin Ɗan Guadalajara da aka fi so a lokacin wani biki mai ban sha'awa.

Mutuwar Juan Jose Arreola

• Ya rasu yana da shekara 83 a gidansa da ke Jalisco.
• Wannan taron ya faru ne a ranar 03 ga Disamba, 2001.
• Dalilin mutuwar shi ne hydrocephalus wanda ya sha wahala a cikin shekarun rayuwarsa na ƙarshe.
• Duk da haka, an san cewa a cikin babban rayuwarsa ya auri Sara Sánchez.
• A sakamakon kungiyar sun haifi 'ya'yansu uku: Claudia, Orso da Fuensanta Arreola Sánchez.

Idan kana son sanin komai game da Estanislao Zuleta, ana ba da shawarar zuwa Estanislao Zuleta da Tarihinsa. Inda aka bayyana yadda wannan malami na tsararraki ya bar gadon da ya samu a matsayin marubuci, malami kuma masanin falsafa dan kasar Colombia, kuma a matsayinsa na mataimakin shugaban jami'ar Santiago de Cali a shekara ta 70.

Abubuwan adabi na muhimman ayyukansa

Juan José Arreola ya aiwatar da manyan ayyuka, manyan ayyuka da litattafai, amma kowane ɗayan ayyukansa ya sami wahayi daga wasu marubuta, don haka yana cikin tsarinsa da abubuwan da ke cikinsa inda babban al'amarinsa shine ɗan gajeren rubutunsa da ba'a. Ya yi amfani da ayyukan wallafe-wallafe da yawa na nau'o'i daban-daban da kuma daga kungiyoyi daban-daban, yana ba da cakuda tare da duk albarkatun akai-akai.

Cakuɗewar waɗannan albarkatun adabi sun kiyaye tsari da abubuwan da ke cikinsa, wanda ya haifar da labarai, waƙa, kasidu, da sauransu. Shi ya sa aka nuna marubutan da suka siffantu da fannin adabi a cikin ayyukansu a kasa:

Julius Torri Maynes

• Cewa ya kasance sanannen memba na Kwalejin Harshe na Mexican
• Ya kuma kasance marubuci, malami, kuma lauya.

Giovanni papini

• Shi ma marubuci ne
• Asalin Italiya ne

Marcel Schwob

• Cewa ya kasance marubuci, marubucin labarai da kasidu
• Ya kuma kasance mai fassara kuma mai sukar adabi
• Ya kasance Bafaranshe-Yahudu.

George Francis Isidore 

• An san shi da zama ɗan gajeren labari marubuci
• Shi ma mawaki ne, marubuci kuma mai fassara
• Shi dan Argentina ne

Franz Kafka

• Shi marubucin bohemian ne
• An san rashin kulawa sosai
• Wanda aka siffanta da rubuce-rubuce a cikin Jamusanci.

Charles-Pierre Baudelaire

• Ya kasance mawallafi, mawaƙi, mai fassara kuma mai sukar fasaha.
• Shi dan kasar Faransa ne

Idan kana so ka sani game da rayuwar José Emilio Pacheco, ana bada shawara don zuwa Biography na Jose Emilio Pacheco. Inda aka tattauna wasu bayanai game da rayuwa, littattafan wannan marubucin, da kuma matakinsa na marubucin asalin Mexica, wanda ya sadaukar da rayuwarsa ga fasahar rubuce-rubuce a duk nau'ikansa.

Janar halaye na ayyukan

Kowane ɗayan ayyukan Juan José Arreola an san su don halaye da cikakkun bayanai a cikin rubuce-rubuce da saƙonni. Kasancewa gaba daya a bayyane da kuma dacewa da dimbin ilimin da yake da shi, da kuma ingancinsa ta hanyar bayyana ra'ayinsa da kuma nuni da kalmomi da jumloli, tun da ya kasance yana neman cewa kowane tunaninsa da sha'awarsa za su iya yaduwa a cikin ayyukansa.

Manufarsa ita ce nunawa da kuma haskaka madaidaicin wasa akan kalmomi da kuma tsarin da ake bi wajen rubuta ayyukansa, tare da wannan ya iya rubuta kansa a cikin duk abin da ya dace ba tare da damuwa da sukar ayyukansa ba. Don haka ne mai zuwa yana nuna jerin abubuwan da aka yi nuni da wasu daga cikin sifofin manya-manyan ayyukan wannan mawallafi:

• Ana siffanta shi da kasancewa cikin nasara da bayyananniyar hanya a cikin kowane ayyukansa
• Yana kiyaye dabi'a da ainihin ainihin ɗan adam.
• An kayyade don yin ayyukan tare da halaye da lahani, har ma da ƙarancin gogewarsu da ƙididdiga.
• Ƙirƙirar ta kasance a cikin kowane layi, a cikin kowace kalma da fahimta.
• Ba ya ci gaba da nuna duk abin da zai iya, a wani lokaci da aka ba shi, yana iya sarrafa rayuwar ɗan adam.
• Shi ne kuma ke da alhakin rufe duk wani abu da ya shafi son rai, keɓewa, dangantaka, fahimta ko wahalar ƙauna a cikin ayyukansa.
• Tunaninsa shi ne cewa dole ne dan Adam ya fuskanci, fiye da kowane abu, 'yancin fadin albarkacin baki, dole ne ya kasance mai kirkira, m.
• A cikin ruwayoyinsa bai gushe ba yana bayyana ra’ayinsa don haka sai mai karatu ya tsaya ya nazarci abin da marubucin ya mayar da hankali a kai
• Wani bangare na ayyukansa da ayyukansa tare da mahangar lokaci da matsananciyar ra'ayi game da jima'i na mace, har ya yi tarayya da Julio Torri.
• Har ila yau, a nan ne aka fallasa rashin amincewa, wanda aka nuna tare da fushi, tsoro ko zafi.
• Gyaran kai yana da matuqar muhimmanci kuma ya yi nuni da hakan a cikin ruwayoyinsa
• Har ila yau, yana nuna damuwarsa akai-akai game da manya da muhimman halaye na duniyar da dan Adam ke rayuwa a cikinta kuma ya bunkasa.
• Yi aiki tare da ci gaba da kamalar harshe kuma yana da mahimmanci lokacin neman bambanci a cikin guild.
• Yana da asali, jajirtacce kuma jajirtacce a cikin rubuce-rubucensa.
• Ya haɗu da gaskiya tare da fantasy, ji tare da yanayi, halaye tare da martani.
• Babban damuwarsa ita ce bil'adama a duk mahangarsa.
• Wasan da marubucin ya yi amfani da su a cikin ayyukansa ya shahara kuma wannan barkwanci ya sa ya zama na musamman kuma ba zai iya maye gurbinsa ba.
• Abin baƙin ciki hanya ce ta nuna ƙarfin hali kuma ya maimaita ta a cikin ayyukansa.
• Ya san yadda ake amfani da raɗaɗi, baƙar magana, fushi, farin ciki, satire, parody
• Wani lokaci ayyukansa sun kasance suna mayar da hankali ne ta hanyar wasa ta yadda mai karatu ya fahimci nazarinsa ba tare da rinjayar gaskiyar da yake bi ba.
• Amfani da baƙin ciki ya zama mafi rinjaye, lokacin da aka gabatar da menene dangantakar ɗan adam, galibi na ma'aurata.
• Ya yi la’akari da cewa sau da yawa ’yan Adam ba sa taƙaice idan sun cuci junansu a hankali, suna yaudarar kansu da yin ba’a ga waɗanda suke tare da su a doguwar hanya ta rayuwa.
• Abin haushi ya ba shi damar shiga cikin kusancin mutane ya nuna musu yadda suke.
• Hakazalika, ta hanyarsa, yana gudanar da koya wa masu karatu sakamakon ayyukansu da halayensu a tsawon rayuwarsu, inda wasu za a iya gyarawa yayin da wasu ba za su iya ba.
• A cikin ayyukansa koyaushe yana so ya koya wa mai karatu wadatar da ke kewaye da rayuwa cikin ayyukanta na daidai.

Rubutun labaran da suka fi shahara

Juan José Arreola koyaushe yana nunawa tare da kowane ɗayan ayyukansa cewa abin da ɗan adam ke buƙata ko buƙata shine kiyaye ɗa'a sosai daga kowane yanki da kusanci. Shi ya sa kowanne daga cikin kalmomin da ke cikin ayyukansa ya isar da waɗancan darajoji da saƙon ga mai karatu ta hanyar rubutu da adabi.

An yi labaran ne bisa la’akari da rubuce-rubucen da’a, ta yadda za a nuna ra’ayin ƙin yarda da duniyar zamani tun da ba ta da alaƙa da motsin rai, wanda ke ƙarfafa mutane su kula da yanayin zamantakewa da sadarwa. Don haka ne wadannan ke nuna wasu daga cikin hikayoyin da suka yi fice tun da dadewa har zuwa yau:

gunther stapenhorst

• An sake shi a shekara ta 1946
• Wannan tatsuniya an lissaftar plaquette ne
• Domin wata ‘yar karamar bugu ce da ake amfani da ita wajen buga ayyukan adabi kamar wakoki ko gajerun labarai.
• Ya yi daidai da Tarin Litinin wanda Pablo da Enrique González Casanova suka jagoranta.
• Wannan shi ne labari na farko da ya shirya rubutun da za a ba da shi bayan shekaru hamsin.
• Labarinsa yana nuni ne ga ƙerarriyar wani ɗan ƙasar Jamus a cikin shekarun Hitler.
• Aiki na ƙarshe shine bayyanannen kwatanci na sha'awa.
• Daga baya aka buga shi a shekara ta 2002, shekara guda bayan mutuwar marubucin.
• Wannan lokacin ya ƙunshi shaida, labari, farawar litattafai biyu da wasu tambayoyi biyu na Antonio Alatorre da Eduardo Lizalde.
• José Emilio Pacheco ne ya gabatar da gabatarwar.
• Abin da aka gabatar a cikin 1946 yana ba da ci gaba ga aikin da aka gabatar.

Ya bambanta Ƙirƙirar

• An buga shi a shekara ta 1949
• Wannan labarin ya tattaro littattafan da aka buga tsakanin shekarun 1941 zuwa 1949.
• Ya kunshi labarai goma sha takwas.
• Godiya ga wannan wallafe-wallafen an ba shi damar gane shi don halayen karatunsa.
• Marubucin ya fara aikinsa ne ta hanyar sanin abin da ke daidai da mugunta da kuma duk abin da zai iya kai ga halayen ɗan adam.
• Aikin marubucin ne na farko wanda takensa ya samo asali daga sonnet na Luis de Góngora y Argote wanda mawaƙin Sipaniya ne kuma marubucin wasan kwaikwayo na Golden Age.
• Saboda haka, kowane sonnet yana da layi goma sha huɗu, wanda ya ƙunshi quatrains biyu da uku uku.
• A cikin wannan aikin, sha'awar wallafe-wallafen Mutanen Espanya na abin da ake kira Golden Age yana da sananne.
• Ya faru lokaci guda a mafi kyawun lokacin siyasa na soja na daular Spain da daular Habsburg ta Spain.
• An sake fitar da wannan aikin sau hudu.
• Inda a cikin kowane tsari aka canza, an gyara labarunsu kuma an daidaita su.
• Kamar yadda ya zo ya kawar da wasu littattafansa daga wasu nassosi.

Makirci

• An buga shi a shekara ta 1952
• Ana daukar wannan a matsayin shahararren aikinsa.
• Kuna iya ganin labaransa da aka fi sani.
• Marubucin ya zurfafa zurfafa zurfafa zurfafa tunani, ban tsoro da ban mamaki.
• Haka nan kuma ya kau da kai daga sukar halayen dan Adam.
• A cikin wannan aikin ya yi nasarar taƙaita rubutu tsakanin shafuka goma zuwa ashirin a ɗaya da uku.
• Samun burinsa, ya ji dadi sosai.
• Yana ba mu taƙaitaccen bayani, kawar da abin da ba dole ba kuma mara amfani, don haka azabtar da abin da ke ciki ta hanyar yin magana.
• Tana da cakuduwar gajerun labarai da sauran dogayen.
• Ya hada da Parturient firam, Gaskiya ina gaya muku, Rhinoceros, La Migala, The Ranger, Almajiri, Eva, Kauye yarinya, Sinesio de Rodas, Monologue na insumiso, The Prodigious Milligram, Nabonides, The Lighthouse, A cikin Memoriam
• Hakanan ya mallaki Baltasar Gérard, Sanarwa na Baby HP, Wasannin Ballistics, Mace Mai Yin Aiki, Pablo, Parabola del Barter, Yarjejeniya da Iblis, Mai Canzawa, Shiru na Allah, Abinci na Duniya, Suna, Corrido

palindrome

• An buga shi a shekara ta 1971
• Wannan aikin yana gabatar da rubutun da ke jan hankali ta hanyar yin riya, ta hanyar bayyanar da abin da ba shi ba kuma ta hanyar bayyanar da rashin hankali.
• Bayyana abin da ɗan adam ya cim ma a tsawon rayuwarsa
• Yana nuna yadda zaku iya samun kyakkyawar hanya don yin ta.
• Ta hanyar yau da kullun na sirri da matsalolin ma'aurata, waɗanda, kasancewa yau da kullun da al'ada, ba za su taɓa daina kasancewa da mahimmanci ba.
• Da labarinsa ya yi nasarar baiwa mai karatu mamaki da nufin samun zurfin tunani a kan menene dangantaka tsakanin mutane da addinin Kirista.
• Hakazalika an gabatar da gagarumin muhimmancin amana da ba yaudara ko cin amana.
• An nuna labarinsa a kaikaice kuma da ban dariya.
• Wannan aikin ya haɗa da: Palindroma, Kwanaki uku da ashtray, Tauraro duk mutane, Gidajen farin ciki, Don shiga lambun, Klein's kwalban, The hymen a Mexico, Syntactic bambancin: Duermevela, Prophylaxis, Girke-girke na gida, Daga matafiyi, The dilemma, Cycling , Ilimin taurari, Tarihin su biyu, me suka yi mafarkin?, Ballad, Doxgraphies.

Bala'i

• An buga shi a shekara ta 1972
• An buga wannan aikin a cikin 1958 a ƙarƙashin taken "Punta de Plata".
• Daga baya a 1972 da sunan "Bestiario".
• An bambanta ta hanyar da ta ba da cikakken bayani game da lalacewa, lalata, rashin tausayi, rashin tausayi, ƙyama da manias na mutum.
• Bayyana su ta hanyar dabbobi.
• Ya ce dabbar tana nuni ne da abin da mutum yake, kuma wani nau'i ne na kamanninta.
• A cikin aikin, kowane dabba yana kwatanta siffofinsa
• Yana hada su da sauran halittu daga karshe kuma da dan Adam.
• Don haka, ya zo ne don haɗa almara, mai ban mamaki da na kimiyya da soyayya, har sai ya kai ga manufar tunani.
• Yana gabatar da halayensa na fahimtar duniya, game da halittun da suke da damar zama a cikinta da kuma halin da suke nunawa.
• Ya hada da karkanda, toad, bison, tsuntsayen ganima, jimina, kwari, carabao, felines, mujiya, bear, giwa, moles, rakumi, boa, zebra, rakumi, hyena, da Hippopotamus, Cervids, The Seals, Waterfowl, Axolotl, Birai.

Rubutun Juan José Arreola

Mai yiyuwa ne a bayyana nau'ikan kasidu daban-daban wadanda suka yi fice a cikin ayyukansa, ana daukarsu a matsayin ayyuka masu matukar daraja, inda ya damu da shi saboda kowane aiki yana haifar da martani kuma shine abin da ba a la'akari da shi a cikin dangantaka.

Shi ya sa aka gabatar da wasu daga cikin kasidun nasa a kasa da manyan siffofi da fuskokinsu, ta yadda za a kara fahimtar dalilin da ya sa ake daukarsu ayyukan adabi da kasidu masu daraja da kuma dalilin da ya sa har yau ake magana kan wadannan manyan ayyuka:

Ilimin Kalma

• An buga shi a shekara ta 1973
• Wannan makala da gaske tana nuna hanyar tunanin Juan José Arreola
• Komai na da alaka da matsalar koyarwa, al'adu da kuma inganta dan Adam.
• Babban damuwa da Juan José Arreola ya yi game da rayuwa da ɗabi'a yana da alaƙa.
• Haka nan ma’anar kalmar ana magana ne a wurin matashin mai koyo da kuma malami wanda shi ne ke ba da ilimi.
• Jorge Arturo Ojeda ya gudanar a cikin wannan maƙala don tattara guda daga cikin maganganun maganganun Juan José Arreola.
• Duk cikin hirarraki da maganganun da ya zo bayarwa.

Yanzu kuma matar

• An buga shi a shekara ta 1975
• A cikin wannan aikin, marubucin ya yi bayani game da menene shigar mace a cikin duniyar da ke tasowa a cikin al'umma.
• Duk wannan saboda ya yi la'akari da cewa sun kasance kufai kuma akwai rashin daidaituwa da ba za a iya jayayya ba.
• Ga wannan labari na yi tsokaci kan ceton duniya a bayyanar mata a kowane fanni na rayuwa
• An yi magana kan yadda take daidaitawa da kuma iyakancewa ga rayuwar yanayi
• Duk wannan bayan gazawar fasaha, na kimiyya, na al'ada kanta
• Ya kuma yi tsokaci game da yadda ba a samu wasu ruhohi masu muni ba domin su biya diyya ga dimbin bakin ciki da firgici.

Inventory

• An buga shi a shekara ta 1976
• Tarin rubutun kyauta ne wanda marubucin Juan José Arreola
• Duk waɗannan an yi su ne da rubuce-rubucen da ya rubuta kowace rana ga jaridar Mexico El Sol de México.
• An yi waɗannan gajeren wando ne tsakanin 1975 zuwa 1976.
• Rukunin littafin ya ƙunshi sunan "Daga Rana zuwa Rana".
• Yana da game da tsarin rubutu na magabata da duk sauran abubuwan da mutum ko mahallin ke da su.
• Hakanan yana nufin takardar da ta ƙunshi duk abubuwan da mutum ya mallaka.
• "Inventory", yana da rubutu 150 a cikin abun ciki
• Ya kasance kashi uku kawai na abin da aka buga a jaridar Mexico.
• Batun kowanne ya bambanta kuma ya bambanta
• Don haka ya kasance saboda yawan al'adun marubucin.
• An buga wannan aikin ne bayan ya gama aikinsa na marubucin jarida.

Tarin kyaututtuka

An gabatar da gabatarwa don tunawa da Ignacio Cumplido, an halicce su a cikin birnin Mexico wanda aka yi ta hanyar 2 jerin, na farko tsakanin 1959 da 1953, samfurori wanda na biyu ya kasance tsakanin 1954 da 1957, kuma kamar yadda yake a cikin ƙwaƙwalwar ajiyar fitaccen firinta. , marubuci, ɗan jarida kuma ɗan siyasa Ignacio Cumplido.Ya shahara a tsakanin al'umma.

Ya ci gaba da gabatar da cikakken bayani ga mai karatu, wanda shine dalilin da ya sa aka siffanta shi da rubuce-rubucensa, yana da lakabi kusan ɗari waɗanda ake bayarwa mako-mako, ya buga lakabi hamsin cikin ƙasa da shekaru biyu, Los Presentes ya ƙare tare da dakatarwa 1956.

Silsilar farko tana da littattafan rubutu guda 9; Wani abu da ya yi fice a cikin wadannan kyaututtukan shi ne, a cikin silsilar ta biyu ta kasance ci gaban al’adu a kasar nan, tun lokacin da aka tsara ayyukan da matasa masu tsarkakewa suka yi, wanda ya kasance mafarin hangen nesa na adabi a cikin harkar. Shi ya sa aka nuna wasu daga cikin waɗannan ayyukan a ƙasa.

• Ƙarshen wasan marubuci Julio Cortázar
• Kanin Jaime García Terrés
• Aikin jirgin Carlos Pellicer
• Tatsuniyoyi: Daya cikin uku
• Shekaru XNUMX na Augusto Monterroso
• Taƙaitaccen Littafin Diary na Ƙaunar Ƙauna ta Francisco Tario
• Rubén Bonifaz Nuño
• Lilus Kikus ta Elena Poniatowaska
• Komawar marubuci Ernesto Mejía Sánchez
• Ina son abin da ya sani game da Francisco Tario
• Sunan mahaifi Carlos Pellicer
• Gajerun labarai na Juan José Arreola
• Homage ga Sor Juana na Juan Soriano
• Hoton mahaifiyata na Andrés Henestrosa

Juan Jose Arreola

Juan José Arreola an san shi da al'adunsa a cikin ayyukansa, yayin da yake isar da manyan saƙon ga al'umma gaba ɗaya ta hanyar kalmominsa da larura. babban mutum wanda ya kawo sauyi a duniyar adabi