Tarihin Girki Sculpture da halaye

Tsohuwar Girka ta ba da babbar gudummawa ga ci gaban al'adun duniya. The Girki sassaka Daɗaɗɗen wayewa da aka haɓaka sosai ya ba da damar nuna cikakkiyar ra'ayi mai jituwa game da duniya ta mutanen da, don nuna kamalar ɗabi'a da ta zahiri ta mutum a cikin tsari mai girma uku.

SIFFOFIN GIRKI

Girki sassaka

Babban wayewar Girka daga baya masana tarihi suka siffanta da cewa an haifi wayewar Hellenic a kusan karni na XNUMX BC daga haɗin gwiwar wasu al'ummomi masu mamaye irin su Dorians waɗanda, bayan yaƙe-yaƙe na dabbanci da tashin hankali, suka zauna a zahiri a kusan karni na XNUMX BC a cikin yankin na BC. Tsibirin Girka da mazauna yankin da a hankali suka ci karo da su a hanyarsu.

Wannan dadadden wayewa da aka samu a tsawon lokaci ya fara girma da bunkasa a bangarori da dama kamar na ruwa, kasuwanci da zamantakewa. An ba da kyakkyawar sha'awa mai kyau a sama da kowa ta hanyar fasahar fasaha godiya ga aiki da basirar shahararrun masu fasaha da na musamman.

A fagen fasaha, daya daga cikin nau'o'in fasaha da aka fi amfani da su inda masu fasahar Girka da gaske suka tsaya tsayin daka har zuwa kammala shi ne zane-zane wanda tare da shahararrun mutum-mutumin da suka yi sa'a ya isa zamaninmu, ya kawo wayewar tsohuwar Girka zuwa Olympus. na fasaha.

Fasahar tsohuwar Girka ta zama ginshiƙi da tushe wanda duk wayewar Turai ta haɓaka akansa. sculpture na Ancient Girka wani batu ne na musamman. Idan ba tare da tsoho sassaka ba, ba za a sami ƙwararrun ƙwararrun ƙwararrun Renaissance ba, kuma yana da wuya a yi tunanin ƙarin ci gaban wannan fasaha.

Mutum-mutumi a Girka sun taka muhimmiyar rawa a rayuwar mutane. An sanya su a wurare mafi mahimmanci, an yi amfani da su don yin ado da gidajen ibada, an gina su don girmama wadanda suka lashe gasar Olympics. An sanya su a kan kaburbura don tunawa da marigayin, an yi amfani da su don yin ado da gine-ginen jama'a. Waɗannan sassake na al'ada da na Hellenistic sun yi tasiri kai tsaye ga sassaken Romawa har ma da sassaken yammacin duniya a cikin salon zamani.

Girka ta dā, kamar sauran al'adu, sun sha lokuta daban-daban a cikin ci gabanta. Kowannen su yana da sauye-sauye a kowane nau'in fasaha, gami da sassaka. Don haka, yana yiwuwa a gano manyan matakai na samuwar wannan sigar fasaha, a taƙaice ta kwatanta fasalin tsohuwar sassaken Girka a lokuta daban-daban na ci gaban tarihi na wannan ƙasa.

Bayyani na aikin sassaka a cikin manyan lokuta uku na tarihin fasaha na Girka yana nuna ci gaba da inganta salo da fasaha na samarwa, daga rashin motsi zuwa motsi. Yana da kyakkyawan misali ga masu zane-zane da suke so su sami hanyarsu a cikin sana'a, suna daukar darussa daga nazarin hangen nesa na jikin mutum ta hanyar tsohuwar masanan gine-ginen Girkanci.

Yawancin gumakan marmara sun lalace, tagullar ta narke yayin da Kiristoci suke ƙoƙarin tsarkake ƙasar Girka daga arna. Hudu daga cikin tsoffin abubuwan al'ajabi bakwai na duniya, Mutum-mutumi na Zeus, Haikali na Artemis, Kolossus na Rhodes da Hasken Haske na Alexandria sune abubuwan tarihi na Girka. A yau babu su, ba za mu iya godiya da girman waɗannan ayyukan fasaha ba. Amma da yawa sassa na Girkanci sun kasance a cikin shahararrun gidajen tarihi a duniya.

zamanin archaic

Zamanin Archaic shine lokaci na farko a cikin tarihin fasahar tsohuwar Girka, wanda ya fara a 700 BC. C. kuma ya ƙare a 480 a. C. Kalmar “archaic” kalmar Helenanci ce ma’ana “farko”. Ana amfani da shi don bayyana abubuwa da yawa a cikin fasaha waɗanda suka faru a farkon matakan al'adun Girka. Don haka, sculptures na wannan lokacin suna nuna basirar farko da masu zane-zane na Girka suka nuna. Wannan mataki mataki ne a tsaye wanda aka ƙirƙiri guntuwar ba tare da motsi ko sassauci ba.

Mutum-mutuminsa sun kasance suna da siffa da taurin kai. An ba da haske game da mahimman siffofi na siffar ɗan adam. Alkaluman mazan sun kasance tsirara, sassaken da aka fi sani da Kuros, tsirara ne saboda 'yan wasan sun kasance tsirara a lokacin gasar Olympics.

Suna da kafar hagu a gaba. A daya bangaren kuma, kayan sassaka na mata da ake kira Korai (matan) sun cika tufafi. Wuraren da aka sassaƙa masa sun haɗa da tsayuwa, durƙusa, da kuma zama. Girikawa sun fi sassaƙa siffofi na alloli da alloli a cikin kamannin maza da mata da yara. Masu sassaƙa na zamani ba safai suke amfani da nau'ikan sassaka na Kuros da Korai ba.

Saboda rashin ci gaban fasaha, ba a bayyana siffofinsa na sassaka da gaske ba. A cikin sha'awar su ga murmushi, Girkawa sun ba da leɓunansu kalma mai lanƙwasa, wanda masu sukar fasaha ke kira "murmushin archaic." Wani nau'i ne na murmushi da aka bayyana a fuskar zane-zanen sakamakon rashin fasaha na sassaka.

SIFFOFIN GIRKI

Mutum-mutumi na tsohuwar Masar ya rinjayi zamanin farko na sassaken tarihi na Girka. An yi la'akari da sassaka na al'ada na Girkanci na lokacin da ba su da kyau kuma ba su da sassauci. Jikin sassaka na wannan lokacin ana sukar an haɗa shi kamar daga sassa.

Ana iya ganin mutum-mutumin an zana su ne daga wani shinge mai kusurwa huɗu. Waɗannan ba hotuna ba ne, amma alamar alama ta allah. Wani lokaci, kuma yana aiki a matsayin mutum-mutumi na mamaci ko kuma abin tunawa ga waɗanda suka yi nasara a wasannin Olympics.

Misali mai ban sha'awa na sifofin mata masu ban mamaki su ne allahiya mai Ruman (580-570 BC) da kuma Allah mai kurege (kimanin 560 BC). Daga cikin hotunan maza, ƙungiyar sculptural Cleobis da Biton sun fito fili, wanda mahaliccinsa shine sanannen sculptor Polimedes de Argos (a ƙarshen karni na 560-550 BC). Haske, gyare-gyare da wasa suna bambanta ayyukan tsofaffin mashawartan Ionian. Mafi shaharar misali ana ɗaukarsa shine Shadow Apollo, wanda aka ƙirƙira a cikin XNUMX-XNUMX BC

Hoton hoto mai mahimmanci ya mamaye wuri mai mahimmanci a cikin fasahar lokacin. Ya kasance al'ada don nunawa cikin sauƙi mafi ban sha'awa da mahimmanci tatsuniyoyi na tsohuwar Girka. A hankali la'akari da abun da ke ciki na pediment na Haikali na Artemis (kimanin 590 BC) ba ka damar ji dadin spectacle na cikin sauri tasowa da kuma ban sha'awa mãkirci na sanannen labari na Medusa, da Gorgon da kuma Perseus maɗaukaki.

Lokacin gargajiya

A cikin lokacin al'ada (tsakanin karni na XNUMXth da XNUMXth BC) hotuna sun nuna motsi mai sarrafawa da jituwa tsakanin tashin hankali da shakatawa. Anyi amfani da contraposto don wannan: annashuwa, matsayi na dabi'a wanda ke ɗaukar nauyin ku akan ƙafa ɗaya don haka an ɗaga kishiyar hip ɗin don samar da annashuwa a cikin jiki.

Baya yana dan lankwasa a wannan matsayi. An yi la'akari da ra'ayoyi daban-daban a yanzu: ana iya kallon hoto daga kowane bangare, ba a yi nufin kawai a duba shi daga matsayi na gaba ba. A wannan lokacin, fasahar Girka ta kai tsayinta. An lura da sassaka don sassauci da kuma cikakken nazarin wakilcin motsi.

Kulawa mai mahimmanci da nazarin ilimin jikin ɗan adam ya haifar da ƙirƙirar ƙididdiga masu sassaka a cikakkiyar haƙiƙa kuma daidai gwargwado. A lokacin al'ada na sassaka na Girka, an yi ayyukan da aka fi sani da su. Dutse da tagulla sun zama sanannen zaɓi na kayan abu a wannan lokacin. Tsohon Helenawa sun ba wa waɗannan mutum-mutumin matsayi da yawa.

SIFFOFIN GIRKI

Hoton tsohuwar Hellenanci na lokacin al'ada na iya mayar da hankali kan motsi, amma fuskokin waɗannan mutum-mutumin sun fi tsayi. Bare kawai aka yi imani suna nuna motsin zuciyar su a bainar jama'a. An nuna ɗan Adam da ya dace a cikin tsoffin sassaka na fasaha na Girka. An bambanta ma'auni na Girkanci na gargajiya ta hanyar jituwa, daidaitattun ma'auni, wanda ke magana game da kyakkyawar ilimin ilimin jikin mutum, da kuma abubuwan ciki da kuma kuzari.

A zamanin al'ada, an halicci shahararrun sassaka kamar Athena Parthenos, Olympian Zeus, Discoblus, Doryphorus da sauran su. Tarihi ya tanadar wa zuriyarsu sunayen fitattun masanan zamani: Polykleitos, Phidias, Myron, Scopas, Praxiteles da sauran su. Lokaci na gargajiya yana da bayyanar bayyanar mata masu tsiraici na farko (Rauni Amazon, Aphrodite na Cnidus), wanda ke ba da ra'ayi na kyakkyawan kyakkyawan mace a zamanin zamanin da.

Abubuwan da ke cikin Haikali na Athena Aphaia (500-480 BC), suna ba da damar gano sauye-sauye daga tsattsauran ra'ayi (kasashen yamma) zuwa sabbin manufofin (fashin gabas), an gane su azaman misali mai ban sha'awa na abubuwan halitta da aka yi a farkon Classics. mataki. Haɗin haɗin gwiwa na ƙarfin motsi da girman adadi yana nuna lokacin da shekarun manyan litattafai suka wuce zamanin gargajiya na archaic.

Babban muhimmin ci gaba na wannan canjin shine ƙirƙirar mutum-mutumin Poseidon (wajen 450 BC). Watakila ɗaya daga cikin fitattun sassa na duniya da shahararru daga zamanin al'ada shine na Myron's Discus Thrower, wanda shine cikakkiyar siffa ta kyakkyawan ƙirar ƴan wasa da tsoffin Helenawa suka hango.

Wannan mutum-mutumin yana nuna matashin ɗan wasan da ke shirin jefa taɗi. Kuna iya ganin tashin hankali na duk sassan jikin da ke gaban ainihin harbin. Cikakken ma'auni na jiki dole ne ya nuna darajar halin kirki na dan wasan da kansa, yana son ya wuce iyakarsa kuma ya inganta halayensa.

lokacin Helenanci

Wannan shi ne lokaci na uku kuma na ƙarshe a tarihin tsohuwar sassaken Girka, wanda ya fara a shekara ta 323 BC. C. kuma ya ƙare a ƙarni na farko. Kalmar “Hellenistic” tana nufin zane-zanen da suka bunƙasa a ƙarƙashin rinjayar Girka a ƙasashen Bahar Rum a lokacin mulkin Alexander the Great. A cikin cibiyoyin al'adu na duniyar Hellenistic, makarantu da yawa sun taso suna yin nazari mai zurfi game da fagage da yawa, gami da fasaha, adabi, da likitanci.

An tsara canons don yin hukunci da ingancin sassaka. Wannan ya haifar da ƙara yawan sha'awar tsarin rabo a cikin sassaka. Ayyukan sun kasance da haƙiƙanci, matsananciyar motsin rai, almubazzaranci, tsokaci da siffofi. Motsin motsin motsi daidai ne, iska tana busawa ta fuka-fukan fuka-fuki kuma ana iya ganin folds na kayan daki-daki daki-daki. Masu zane-zane sun binciki motsi mai girma uku.

Ɗaya daga cikin ci gaban farko na sassaka a wannan lokacin shine babban sha'awar hoton. kamanceceniya ɗaya ba ta nan a cikin sassaƙaƙe na tarihi da na gargajiya, amma ya yi rinjaye a sassaken Hellenistic na Hellenanci. Ba kowa ba ne zai iya ganin bambance-bambancen da ke tsakanin tsohuwar sassaken Hellenanci na zamanin gargajiya da na al'adun gargajiya na Girkanci na zamanin Hellenistic.

Marigayi tsohuwar Girka tana da tasiri mai ƙarfi na gabas a cikin duk fasaha gaba ɗaya da sassaka musamman. Haɗaɗɗen ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙayatarwa, yana bayyana a cikin cikakkun bayanai. Hankali da yanayin gabas suna shiga cikin nutsuwa da ɗaukaka na al'ada. Aphrodite na Cyrene, yana cike da sha'awa, har ma da wasu kwarjini, ana iya sha'awar kwafin a cikin gidajen tarihi na Vatican.

Shahararrun sculptural abun da ke ciki na Hellenistic zamanin shine Laocoön da 'ya'yansa na Agesander na Rhodes (an kiyaye fitacciyar a daya daga cikin Vatican gidajen tarihi). Abun da ke ciki yana cike da wasan kwaikwayo, makircin kanta yana nuna motsin rai mai karfi. Ma'auni mai ban mamaki da gaskiya, da kuma motsin rai mai karfi, burge da sha'awar masu kallo na zamani.

Duk wannan an yi niyya ne don ba da ayyukan jin daɗi da ɗabi'a, wanda ba a saba gani ba ga fasahar tsohuwar Girka a lokutan farko.

A gaskiya ma, an sami sassaka na Laocoön a Roma a lokacin binciken kayan tarihi na archaeological kuma matashin Michelangelo ya sha'awar mutum-mutumi da ainihin motsin sa wanda ke ba da motsin rai mai karfi wanda ya zama mai sha'awar zane-zane na Girkanci na gargajiya. Kuma za mu iya ganin waɗannan tasirin sa’ad da muka sha’awar wasu ayyukan babban sculptor.

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